Drawing artists, sources and cultural resources.

Shantell Martin's official site documents drawing, installation, performance, public art and collaborative projects.

Sarah Sze's official site archives installations, sculpture, painting, drawing and exhibitions across several decades.

Julie Curtiss's official site presents paintings, drawings, sculpture and selected exhibitions from the artist's practice.

Hayv Kahraman's official site documents paintings, drawings, sculpture and exhibitions addressing migration, embodiment and representation.

She is a Nigerian-born artist based in Los Angeles. Her layered compositions combine painting, drawing and photographic image transfer. Domestic interiors and family images connect personal memory with migration and cultural hybridity. The official site is especially useful for reading bodies of work together rather than encountering isolated auction or editorial images. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

David Hockney is a British artist whose practice includes painting, drawing, printmaking, photography and digital drawing. His subjects range from portraits and interiors to pools, landscapes and close observation of changing seasons. The official chronology places works, exhibitions, publications and technical experiments within a long career. The site supports research across media and periods, showing how persistent questions about looking, perspective and pictorial space recur through changing tools. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jenny Saville is a British painter known for large-scale figurative works centered on the human body. Her paintings and drawings use layered marks, close cropping and shifting viewpoints to resist idealized or stable representations of flesh. The practice draws on observation, art history and photographic sources while maintaining the physical force of paint. The official portfolio provides a focused route through works and exhibitions, useful for comparing changes in scale, composition and treatment of the figure. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Chen Ke was born in Sichuan in 1978 and lives and works in Beijing. Her paintings move between personal memory, historical fragments, dreams and invented scenes. Portraits and interiors often use intimate scale or emotionally charged color to explore time, identity and the experience of growing older. Because no independent studio site is used here, the entry relies on a gallery profile and an institutional exhibition source and labels them clearly as artist archives. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jia Aili was born in Dandong, China, in 1979. His painting combines abstraction, portraiture and fantastic imagery to consider technological, environmental and social transformation. Large canvases often place solitary figures, machines or damaged landscapes within spaces that feel both historical and speculative. The entry uses gallery and collection profiles as independent public sources, preserving access to biography and work context without presenting either page as the artist's own website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hao Liang was born in Chengdu and lives and works in Beijing. He makes ink-and-color paintings on silk while studying the formats and techniques of classical Chinese painting. Film, literature, philosophy and contemporary visual experience enter works that unfold through detailed surfaces, shifting viewpoints and narrative ambiguity. A gallery biography and museum collection record together provide a useful public foundation for researching the artist while keeping the source relationship explicit. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Wang Tuo was born in Changchun in 1984 and lives and works in Beijing. His practice includes film, painting and drawing. Research into Chinese modern history, cultural archives, fiction and mythology is reorganized through scripts and moving images that test how historical narratives are constructed. Two gallery archives provide complementary public documentation; the page treats them as representation sources and does not describe either as an official artist website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Cui Jie is a Chinese painter born in 1983. Her paintings construct layered cityscapes from modernist and contemporary architecture, infrastructure and imagined urban forms. Geometric surfaces and displaced viewpoints turn recognizable buildings into speculative environments shaped by planning, memory and accelerated development. Museum records from MoMA and Centre Pompidou provide independent public evidence and make this profile useful even without a standalone artist website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Sun Xun was born in Fuxin, China, in 1980. He graduated from the Printmaking Department of the China Academy of Art in 2005 and founded pi Animation Studio in 2006. Animation, prints, drawings and manuscript-like images are assembled into shifting accounts of history, authority, memory and political myth. The entry combines two established gallery archives, giving readers access to biography, works and exhibitions while accurately labeling the nature of each source. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ren Han brings drawing, installation and site-specific work into a practice concerned with the circulation of images. Born in Tianjin in 1984 and based in Paris, he studied oil painting at Tianjin Academy of Fine Arts before graduating from Villa Arson in Nice. His biography describes an interest in mythology, nature and digital visual culture, with residencies in Paris, Lyon and Matsudo. The studio archive separates drawings from installations and architectural interventions, making changes in scale easy to follow. Drawing series such as Disaster and Snow Mountain can be read alongside spatial projects including Labyrinth of Water. That comparison gives substance to his investigation of construction and destruction: landscape is both an image to be consumed and a setting that can be materially altered.

Yuko Shimizu is a Japanese illustrator based in New York whose work moves between editorial images, book covers, picture books and larger commissions. She completed the Illustration as Visual Essay MFA at the School of Visual Arts in 2003 after an earlier career in corporate public relations. Her portfolio makes the variety of commissioned drawing especially clear: publications, posters and book projects appear with their individual contexts rather than as an anonymous stream of images. The work archive includes The Cat Man of Aleppo and Japanese Tales, alongside editorial assignments. Studying those different formats offers a way to compare how a drawing can establish a story, condense an argument or set a book's atmosphere. Her published Japanese name, 清水裕子, also helps distinguish the illustrator from other creators with the same romanized name.

Tiffany Chung turns historical and geographical research into maps, embroidery, sculpture, video and other material forms. Her projects follow displacement, migration and the ways political and environmental forces reshape places over time. The Syria Project, presented in the 2015 Venice Biennale, used map-based drawings to trace cycles of conflict and movement. Vietnam, Past Is Prologue at the Smithsonian American Art Museum in 2019 developed a sustained inquiry into the war in Vietnam and its aftermath. Her biography also records the co-founding of Sàn Art in Ho Chi Minh City. These connections make her work valuable for readers interested in how a map can become an account of lived history rather than simply a diagram of territory. Compare the visual precision of individual works with the research questions that organize each project.

Loie Hollowell's paintings bring bodily experience into geometric compositions that sit between abstraction and figuration. Raised in Woodland, California, and based in New York, she draws on autobiographical experiences including pregnancy and birth. Symmetry, repeated shapes and a central axis organize the images, while raised surfaces allow actual light to interact with painted shading. Her studio archive lists works by year and includes materials and installation views, making it possible to follow the development of a shape across different scales. Recent records combine oil paint with acrylic medium, foam or resin on supported linen. Looking at an oblique view of a work alongside its frontal image is especially useful: the painting's depth is not merely depicted, but built into the object that the viewer encounters.