博物館與機構

The Met Store 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 美國，覆蓋 版畫 / 限量版, 當代藝術。

SFMOMA Museum Store 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 美國，覆蓋 版畫 / 限量版, 當代藝術。

Vitra Design Museum Shop 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 德國，覆蓋 版畫 / 限量版, 當代藝術。

Ayala Museum Shop 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 Philippines，覆蓋 版畫 / 限量版, 當代藝術。

Museum MACAN Shop 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 Indonesia，覆蓋 版畫 / 限量版, 當代藝術。

Ludwig Museum Budapest Shop 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 Hungary，覆蓋 版畫 / 限量版, 當代藝術。

Walker Art Center Collections 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 美國，覆蓋 當代藝術。

Marina Abramovic is a Serbian-born performance artist whose work has tested endurance, attention and the relationship between performer and audience. Her practice includes durational actions, video, installation and participatory exercises. The Marina Abramovic Institute develops methods and programs concerned with long-duration and immaterial art. This institutional source is useful for connecting the artist's historical performance practice with its documentation, transmission and continuing educational framework. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jeffrey Gibson is a multidisciplinary artist of Mississippi Choctaw and Cherokee heritage. His work combines painting, sculpture, textiles, performance and references to Indigenous material and visual cultures. Color, pattern, text and found objects connect personal experience with histories of abstraction and representation. The official portfolio offers direct context for a practice that moves across gallery objects, performance and large public or institutional presentations. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jordan Casteel is an American painter born in Denver in 1989. She received an MFA in Painting and Printmaking from Yale School of Art in 2014. Her portraits and more recent landscapes develop from sustained attention to people, communities and lived environments, with major exhibitions including Within Reach at the New Museum and Returning the Gaze. The official site combines complete exhibition groupings, biography and a detailed CV, providing a reliable view of how the practice has developed over time. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Carrie Mae Weems is an American artist whose practice spans photography, text, video, installation and performance. The Kitchen Table Series is among her best-known bodies of work. Across projects she examines family, power, race, gender, cultural memory and the ways institutions shape whose histories become visible. The artist's site gathers projects, exhibitions and writing in a form that supports reading complete series rather than detached iconic images. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Chen Ke was born in Sichuan in 1978 and lives and works in Beijing. Her paintings move between personal memory, historical fragments, dreams and invented scenes. Portraits and interiors often use intimate scale or emotionally charged color to explore time, identity and the experience of growing older. Because no independent studio site is used here, the entry relies on a gallery profile and an institutional exhibition source and labels them clearly as artist archives. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jia Aili was born in Dandong, China, in 1979. His painting combines abstraction, portraiture and fantastic imagery to consider technological, environmental and social transformation. Large canvases often place solitary figures, machines or damaged landscapes within spaces that feel both historical and speculative. The entry uses gallery and collection profiles as independent public sources, preserving access to biography and work context without presenting either page as the artist's own website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hao Liang was born in Chengdu and lives and works in Beijing. He makes ink-and-color paintings on silk while studying the formats and techniques of classical Chinese painting. Film, literature, philosophy and contemporary visual experience enter works that unfold through detailed surfaces, shifting viewpoints and narrative ambiguity. A gallery biography and museum collection record together provide a useful public foundation for researching the artist while keeping the source relationship explicit. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Xinyi Cheng was born in China in 1989 and works between Paris and Shanghai. Her paintings often begin with observed interactions, remembered encounters or images found in film. Figures occupy closely framed spaces where gesture, color and social distance create scenes that feel familiar yet psychologically unsettled. The profile is built from gallery and collection sources rather than a standalone artist website, giving readers a transparent route to works, biography and exhibition context. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Cui Jie is a Chinese painter born in 1983. Her paintings construct layered cityscapes from modernist and contemporary architecture, infrastructure and imagined urban forms. Geometric surfaces and displaced viewpoints turn recognizable buildings into speculative environments shaped by planning, memory and accelerated development. Museum records from MoMA and Centre Pompidou provide independent public evidence and make this profile useful even without a standalone artist website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ma Qiusha was born in Beijing in 1982. She studied digital media at the Central Academy of Fine Arts and completed an MFA at Alfred University in 2008. Her work spans video, photography, painting and installation, often connecting autobiography, intergenerational memory, domestic experience and the pressures of social change. Collection profiles from White Rabbit and KADIST supply independent public documentation without implying that either page is controlled by the artist. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Chen Tianzhuo builds performances and installations in which bodies, sound and sculptural environments become parts of a shared theatrical world. His archive connects projects including TRANCE, Ocean Cage and ISHVARA rather than presenting each as an isolated spectacle. Born in Beijing in 1985, he studied graphic design at Central Saint Martins before completing postgraduate fine art study at Chelsea. His biography identifies Beijing as his working base. TRANCE was presented at M Woods in 2019; later projects include Ocean Cage at Song Art Museum. Following those projects together offers a way to compare the scale of a live event with the objects and images that remain after it. For readers interested in performance across museum and club contexts, the project archive is more revealing than a single installation photograph.

Zhou Song examines the meeting of mechanical and organic forms through painting and sculpture. Born in China in 1982, he graduated from Tianjin Academy of Fine Arts in 2006. The studio organizes its work around New Nature, Entropy and Red Field, giving viewers several routes into the relationship between bodies, technology and imagined futures. His biography connects that inquiry with science and philosophy, while the work pages provide the material and visual detail needed to read the paintings themselves. Exhibition records include presentations at HOW Art Museum and Powerlong Museum in Shanghai, as well as venues in Germany. These are exhibition locations rather than evidence of a permanent studio address. Begin with the three series to compare how mechanical structures and biomorphic shapes shift across different compositions.

Tiffany Chung turns historical and geographical research into maps, embroidery, sculpture, video and other material forms. Her projects follow displacement, migration and the ways political and environmental forces reshape places over time. The Syria Project, presented in the 2015 Venice Biennale, used map-based drawings to trace cycles of conflict and movement. Vietnam, Past Is Prologue at the Smithsonian American Art Museum in 2019 developed a sustained inquiry into the war in Vietnam and its aftermath. Her biography also records the co-founding of Sàn Art in Ho Chi Minh City. These connections make her work valuable for readers interested in how a map can become an account of lived history rather than simply a diagram of territory. Compare the visual precision of individual works with the research questions that organize each project.

Viviane Sassen moves between art photography and fashion, with an exhibition and publication history that makes the relationship between those fields central to her practice. Born in Amsterdam in 1972 and based there, she studied fashion design before photography at Utrecht School of the Arts and Ateliers Arnhem. In and Out of Fashion brought seventeen years of fashion work into a museum presentation at Huis Marseille in 2012. Later surveys include Hot Mirror and Phosphor: Art & Fashion. Her website and publication record offer ways to compare different sequences of images rather than treating commercial assignments and gallery work as unrelated careers. Following one body of work from photographs to a book and then an exhibition is especially helpful for understanding how selection and arrangement change the experience of the images.

Thomas Struth's photographic archive offers a careful way to study the relationship between viewers, architecture and the histories embedded in public space. He began studying at Kunstakademie Düsseldorf in 1973 and entered Gerhard Richter's class the following year. The website organizes photographs into groups accompanied by contextual texts, allowing a reader to move from the image to the circumstances and questions behind it. The Rome photographs, for example, consider how a monument, a planned piazza and a small car coexist within one frame. Museum Photographs shifts attention toward people looking at art and the space that organizes their looking. Read together, these works invite comparison between the apparent stillness of a photograph and the social arrangements it contains. The series structure rewards looking across several images rather than searching for one signature picture.

Art Basel 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 全球，覆蓋 當代藝術, 畫廊, 展覽。

TEFAF 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 荷蘭 / Maastricht，覆蓋 繪畫, 雕塑, 文化遺產。

Hauser & Wirth 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 當代藝術, 繪畫, 雕塑。

UNESCO Intangible Cultural Heritage Lists 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 文化遺產, 工藝。

American Craft Council 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Craft in America 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Heritage Crafts 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 英國，覆蓋 工藝, 文化遺產。

Japan Kogei Association 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 日本，覆蓋 工藝, 文化遺產。

National Intangible Heritage Center 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 韓國，覆蓋 工藝, 文化遺產。

Michelangelo Foundation 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 瑞士，覆蓋 工藝, 文化遺產。

Smithsonian Center for Folklife and Cultural Heritage 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

World Crafts Council 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Aboriginal Art Directory 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 Australia，覆蓋 工藝, 文化遺產。

Aboriginal Contemporary 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 Australia，覆蓋 工藝, 文化遺產。

Anderson Ranch Arts Center 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Turquoise Mountain 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Arrowmont School of Arts and Crafts 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Australian Design Centre 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 Australia，覆蓋 工藝, 文化遺產。

Canadian Crafts Federation 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 Canada，覆蓋 工藝, 文化遺產。

Center for Craft 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Ceramic Arts Network 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 美國，覆蓋 工藝, 文化遺產。

Ceramic Review 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 英國，覆蓋 工藝, 文化遺產。

Ceramics Now 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Craft NI 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 英國，覆蓋 工藝, 文化遺產。

Craft Ontario 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 Canada，覆蓋 工藝, 文化遺產。

Craft Scotland 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 英國，覆蓋 工藝, 文化遺產。