日本

Avant Arte 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 全球 / Online，覆蓋 版畫 / 限量版, 雕塑, 紙上作品。

Etsy Art 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 全球 / Online，覆蓋 工藝, 版畫, 陶瓷。

Artsy Prints 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 全球，覆蓋 版畫 / 限量版, 當代藝術。

Dover Street Market Art Space 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 全球，覆蓋 版畫 / 限量版, 當代藝術。

Tricera Art 是一個已完成首頁可訪問性驗證的藝術商店來源，位於 日本，覆蓋 版畫 / 限量版, 當代藝術。

Refik Anadol Studio 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 全球，覆蓋 當代藝術。

teamLab 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 日本，覆蓋 當代藝術。

Yayoi Kusama 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 日本，覆蓋 當代藝術。

Takashi Murakami 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 日本，覆蓋 當代藝術。

Yoshitomo Nara 是一個已完成首頁可訪問性驗證的藝術家資料來源，位於 日本，覆蓋 當代藝術。

Chiharu Shiota 的官方網站彙集作品、項目、展覽與藝術家資料。

Tadashi Kawamata 的个人页面汇集作品、媒介与展览资料，并由辅助来源核对身份信息。

Yoshitaka Amano 的个人页面汇集作品、媒介与展览资料，并由辅助来源核对身份信息。

Etsuro Sotoo 的个人页面汇集作品、媒介与展览资料，并由辅助来源核对身份信息。

Tatsuo Miyajima is a Japanese artist known for installations built around digital LED counters. His practice is guided by the ideas Keep Changing, Connect with Everything and Continue Forever. Sea of Time - TOHOKU extends his use of counting light through a collaborative project shaped by communities in northeastern Japan. The official archive connects the artist's core concepts with individual works, public projects, texts and current activity. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ryoji Ikeda works with sound, data, light and mathematical structures. Long-running projects include test pattern, datamatics, supersymmetry and superposition. His output crosses audiovisual installation, performance, acoustic concerts, recordings and collaborations. The official site makes the relationships among individual works and larger research series legible for audiences approaching a technically complex practice. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hiroshi Sugimoto is a Japanese artist whose practice is anchored in photography while extending into architecture and site-specific work. Major photographic bodies include Seascapes, Theaters and Architecture. His archive also documents video, designed environments, publications and biographical material. The official source is valuable because it presents serial projects as sustained investigations of time, perception, memory and the history of image making. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hiro Ando develops a Japanese Neo-Pop vocabulary around recurring feline figures, including Samuraicat, Sumocat and Warriorcat. His Tokyo studio presents sculptures in resin and polished stainless steel alongside paintings and illuminated works. Traditional symbolic references meet the visual language of contemporary urban culture, with the same characters changing appearance as their materials and surroundings change. The archive is particularly useful for following that movement between a freestanding object and a painted scene. In the Samuraicat Serenades paintings, the figure enters nocturnal Tokyo settings; other works use black plexiglass and LED illumination. Comparing these treatments reveals how a recognizable silhouette can carry different spatial and emotional effects. Readers can approach the practice through a character series, then follow its variations across sculpture, painting and light.

Sachiyo Kaneko develops contemporary art from Japanese calligraphy, extending brushwork into live performance and collaboration. She began studying calligraphy at seven and graduated from Tsuda University. Her published chronology connects solo exhibitions in Japan, Mexico and Spain with performances involving music and dance. Among those records are a contemporary SHO performance at MUAC in Mexico City in 2018 and SHO making sound in Brighton in 2024. The multilingual website includes explanations of SHO, videos and a publication record, making it possible to follow both the marks on a surface and the action that produces them. For readers approaching calligraphy through contemporary art, this is a useful distinction: the finished work and the public act of writing offer different ways to understand rhythm, scale and gesture.

Yuuki Kobayashi, whose name appears as 小林勇輝 on his studio website, joins poetry, calligraphy and three-dimensional form in a practice he calls Zou Shisho. Born in Saga Prefecture in 1980, he began studying calligraphy as a child. His account traces a turning point to a poem whose inked form suggested wings, leading him to explore writing as shape as well as language. More recent installations reconstruct discarded paper and extend the brush-based practice into surrounding space. The exhibition record includes Crystal Verse presentations and a 2025 project in Seto. These records belong to the calligrapher and poet identified by this website; they should not be conflated with another artist using the same romanized name. Start with the relationship between his own poems and their physical arrangement.

Yuko Shimizu is a Japanese illustrator based in New York whose work moves between editorial images, book covers, picture books and larger commissions. She completed the Illustration as Visual Essay MFA at the School of Visual Arts in 2003 after an earlier career in corporate public relations. Her portfolio makes the variety of commissioned drawing especially clear: publications, posters and book projects appear with their individual contexts rather than as an anonymous stream of images. The work archive includes The Cat Man of Aleppo and Japanese Tales, alongside editorial assignments. Studying those different formats offers a way to compare how a drawing can establish a story, condense an argument or set a book's atmosphere. Her published Japanese name, 清水裕子, also helps distinguish the illustrator from other creators with the same romanized name.

ArtRabbit 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 全球，覆蓋 展覽, 當代藝術。

Art Basel 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 全球，覆蓋 當代藝術, 畫廊, 展覽。

Frieze 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 全球，覆蓋 當代藝術, 展覽, 評論。

Tokyo Art Book Fair 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 日本，覆蓋 展覽, 當代藝術。

1-54 Contemporary African Art Fair 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 全球，覆蓋 展覽, 當代藝術。

Aichi Triennale 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 日本，覆蓋 展覽, 當代藝術。

Yokohama Triennale 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 日本，覆蓋 展覽, 當代藝術。

Tokyo Gendai 是一個已完成首頁可訪問性驗證的展覽與活動來源，位於 日本，覆蓋 展覽, 當代藝術。

GalleriesNow 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 畫廊, 展覽, 當代藝術。

Pace Gallery 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 當代藝術, 繪畫, 雕塑。

David Zwirner 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 當代藝術, 繪畫, 雕塑。

Hauser & Wirth 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 當代藝術, 繪畫, 雕塑。

Gagosian 是一個已完成首頁可訪問性驗證的畫廊來源，位於 全球，覆蓋 當代藝術, 繪畫, 雕塑。

SCAI The Bathhouse 是一個已完成首頁可訪問性驗證的畫廊來源，位於 日本，覆蓋 當代藝術, 畫廊。

Taka Ishii Gallery 是一個已完成首頁可訪問性驗證的畫廊來源，位於 日本，覆蓋 當代藝術, 畫廊。

Tomio Koyama Gallery 是一個已完成首頁可訪問性驗證的畫廊來源，位於 日本，覆蓋 當代藝術, 畫廊。

Homo Faber Guide 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 收藏級設計, 文化遺產。

UNESCO Intangible Cultural Heritage Lists 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 文化遺產, 工藝。

Japan Kogei Association 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 日本，覆蓋 工藝, 文化遺產。

World Crafts Council 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Turquoise Mountain 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Ceramics Now 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Ethical Fashion Initiative 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

International Academy of Ceramics 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

MADE51 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

Nest 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。

NOVICA 是一個已完成首頁可訪問性驗證的遺產與工藝來源，位於 全球，覆蓋 工藝, 文化遺產。