사진

PLATFORM은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 미국 / Online이며 회화, 종이 작품, 사진 분야를 다룹니다.

Artspace은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 미국 / New York이며 에디션, 사진, 디자인 오브젝트 분야를 다룹니다.

Yang Fudong은 홈페이지 접근성이 확인된 아티스트 자료 출처입니다. 위치 범위는 중국이며 현대미술 분야를 다룹니다.

Lorna Simpson의 공식 사이트에서 작품, 프로젝트, 전시와 아티스트 정보를 확인할 수 있습니다.

Hiroshi Sugimoto is a Japanese artist whose practice is anchored in photography while extending into architecture and site-specific work. Major photographic bodies include Seascapes, Theaters and Architecture. His archive also documents video, designed environments, publications and biographical material. The official source is valuable because it presents serial projects as sustained investigations of time, perception, memory and the history of image making. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Wolfgang Tillmans is a German artist whose photography ranges from intimate observation to abstraction and social documentation. Installation is integral to the work, with photographs arranged in changing relationships across gallery walls. His practice also includes books, music, talks, writing and public campaigns. The site offers an installation archive and publication record that show how individual photographs operate within broader spatial, editorial and civic contexts. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Andreas Gursky is a German photographer associated with large-format, highly detailed images. His pictures frequently examine architecture, crowds, production, commerce and global systems. Digital construction and elevated viewpoints allow real places to become dense, ordered visual fields. The official portfolio is a direct visual reference for comparing recurring subjects and formal strategies without reducing the work to its auction-market visibility. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Thomas Ruff is a German artist who treats photography as a field of images rather than a single documentary method. His series draw on portraiture, architecture, scientific imagery, archives and material found online. Changes of scale, resolution, source and processing test how photographic meaning is produced. The official archive helps readers compare distinct series and understand a practice built through systematic reinvention of photographic formats. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Alec Soth is an American photographer whose projects are often developed through extended journeys and encounters. Major bodies of work include Sleeping by the Mississippi, Niagara and Broken Manual. Books, sequencing and publishing are central to how his photographs form narratives about place, solitude and community. The artist's site brings portfolios and publications together, making it a strong primary route into both individual images and the structure of complete projects. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

David Hockney is a British artist whose practice includes painting, drawing, printmaking, photography and digital drawing. His subjects range from portraits and interiors to pools, landscapes and close observation of changing seasons. The official chronology places works, exhibitions, publications and technical experiments within a long career. The site supports research across media and periods, showing how persistent questions about looking, perspective and pictorial space recur through changing tools. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Wendy Red Star is an Apsaalooke artist born in Billings, Montana, who lives and works in Portland, Oregon. Her multidisciplinary practice draws on family knowledge, archival research and the histories of the Apsaalooke Nation. Photography, material experimentation and carefully assembled historical records are used to restore specificity to people and stories flattened by colonial archives. The artist's site combines biography, projects, publications and research context, making it a strong first-party source for understanding both method and lineage. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Carrie Mae Weems is an American artist whose practice spans photography, text, video, installation and performance. The Kitchen Table Series is among her best-known bodies of work. Across projects she examines family, power, race, gender, cultural memory and the ways institutions shape whose histories become visible. The artist's site gathers projects, exhibitions and writing in a form that supports reading complete series rather than detached iconic images. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ma Qiusha was born in Beijing in 1982. She studied digital media at the Central Academy of Fine Arts and completed an MFA at Alfred University in 2008. Her work spans video, photography, painting and installation, often connecting autobiography, intergenerational memory, domestic experience and the pressures of social change. Collection profiles from White Rabbit and KADIST supply independent public documentation without implying that either page is controlled by the artist. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Erik Johansson constructs impossible situations from photographic material, aiming for scenes that remain visually convincing even when their logic breaks down. The Swedish photographer and visual artist, born in 1985, is based in Prague. His practice centers on personal projects and exhibitions rather than the unaltered capture of a passing moment. On the artist's website, finished images sit alongside accounts of the work process, giving viewers a route back from the illusion to its construction. That connection matters when studying composite photography: perspective, lighting and scale must cooperate even when the subject could not exist. Readers can begin with a finished scene, identify where its spatial assumptions become unstable, and then explore the process material to see how separate photographs were brought into one apparent world.

Brooke Shaden creates staged photographic worlds in which nature, grief and imagination meet. Her artist statement describes a largely solitary self-portrait practice: she becomes both the maker of the image and a figure within it. Working with the surroundings of Northern Arizona, she often builds scenes on location rather than treating landscape as a neutral backdrop. The resulting compositions use darkness and vulnerability alongside the possibility of hope. Her website combines the images with process material and teaching, allowing readers to move between a scene's narrative and the decisions behind its making. A useful starting point is to follow how the body relates to the ground, vegetation and available space. Those relationships give concrete form to themes of change and loss without requiring the photograph to illustrate a single literal story.

Hank Willis Thomas works across images, objects and public space to investigate identity, commodity culture and the ways representation shapes a shared view of the world. Based in Brooklyn, he develops both individual works and collaborative projects. Question Bridge: Black Males uses questions and responses to bring different Black male experiences into conversation, while For Freedoms connects artistic practice with public discourse. His permanent work Unity was unveiled in Brooklyn in 2019, and Love Over Rules took the form of a neon work in San Francisco. The artist's archive places collaborations and public commissions alongside exhibitions, allowing readers to compare how an idea changes with its audience and location. It is particularly useful for moving between the image as a cultural message and the artwork as an occasion for participation.

Tyler Mitchell makes photographs and films that explore the possibilities of Black leisure, self-presentation and imagined freedom. Based in Brooklyn, he works across commissioned fashion imagery and projects developed for exhibitions and books. His early photobook El Paquete, published in 2015, followed architecture and skateboard culture in Havana. Later work brings portraiture, outdoor settings and the language of fashion into dialogue with questions about who gets to inhabit an idyllic scene. His artist website allows these strands to be considered together rather than reducing the practice to a prominent magazine cover. For a first reading, compare the placement of a figure in a landscape with the construction of a commissioned portrait. The settings, gestures and relationships between people can carry as much meaning as the individual face.

LaToya Ruby Frazier develops photographic and moving-image projects through sustained relationships with people confronting unequal access to work, healthcare and a livable environment. Born in Braddock, Pennsylvania, in 1982, she made The Notion of Family with her family and hometown as central subjects. The project connects intimate domestic life with the effects of industrial decline. Her archive also includes Flint is Family and The Last Cruze, extending the inquiry to water, public health and the experience of autoworkers. Rather than treating a portrait as a self-contained image, these bodies of work ask readers to follow relationships across time. The artist's website provides a route through the individual projects and their contexts, making it possible to compare the formal choices of documentary photography with the collaboration on which the work depends.

Viviane Sassen moves between art photography and fashion, with an exhibition and publication history that makes the relationship between those fields central to her practice. Born in Amsterdam in 1972 and based there, she studied fashion design before photography at Utrecht School of the Arts and Ateliers Arnhem. In and Out of Fashion brought seventeen years of fashion work into a museum presentation at Huis Marseille in 2012. Later surveys include Hot Mirror and Phosphor: Art & Fashion. Her website and publication record offer ways to compare different sequences of images rather than treating commercial assignments and gallery work as unrelated careers. Following one body of work from photographs to a book and then an exhibition is especially helpful for understanding how selection and arrangement change the experience of the images.

Thomas Struth's photographic archive offers a careful way to study the relationship between viewers, architecture and the histories embedded in public space. He began studying at Kunstakademie Düsseldorf in 1973 and entered Gerhard Richter's class the following year. The website organizes photographs into groups accompanied by contextual texts, allowing a reader to move from the image to the circumstances and questions behind it. The Rome photographs, for example, consider how a monument, a planned piazza and a small car coexist within one frame. Museum Photographs shifts attention toward people looking at art and the space that organizes their looking. Read together, these works invite comparison between the apparent stillness of a photograph and the social arrangements it contains. The series structure rewards looking across several images rather than searching for one signature picture.

Kapwani Kiwanga develops research-driven works that put historical accounts into dialogue with material and spatial experience. Born in Hamilton, Canada, she studied anthropology and comparative religion at McGill University before studying art in Paris. Her practice spans installation, sculpture, photography, video and performance, often returning to histories that have been marginalized within dominant accounts. Flowers for Africa reconstructs floral arrangements from archival images, while other works use architectural surfaces and carefully chosen materials to address power and circulation. She represented Canada at the 2024 Venice Biennale with Trinket. The artist's site links directly to her representing galleries, where project documentation adds scale and context. Begin with the materials of a particular work, then follow the historical research that gives those materials a role beyond their immediate appearance.

Tappan은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 미국 / Los Angeles이며 회화, 조각, 섬유 분야를 다룹니다.

Uprise Art은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 미국 / New York이며 회화, 종이 작품, 사진 분야를 다룹니다.

Gagosian은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 글로벌이며 현대미술, 회화, 조각 분야를 다룹니다.

White Cube은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 영국 / London이며 현대미술, 회화, 조각 분야를 다룹니다.

Lehmann Maupin은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 미국 / New York이며 현대미술, 회화, 조각 분야를 다룹니다.

Singulart은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 프랑스 / Paris이며 회화, 조각, 사진 분야를 다룹니다.

Saatchi Art은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 미국 / Los Angeles이며 회화, 사진, 조각 분야를 다룹니다.

Rise Art은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 영국 / London이며 회화, 사진, 조각 분야를 다룹니다.

Artsper은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 프랑스 / Paris이며 회화, 사진, 조각 분야를 다룹니다.

Artfinder은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 영국 / London이며 회화, 사진, 조각 분야를 다룹니다.

1stDibs Art은 홈페이지 접근성이 확인된 아트 마켓플레이스입니다. 위치 범위는 미국 / New York이며 회화, 사진, 조각 분야를 다룹니다.

MoMA은 홈페이지 접근성이 확인된 미술관과 기관 출처입니다. 위치 범위는 미국 / New York이며 회화, 사진, 디자인 오브젝트 분야를 다룹니다.

Tate은 홈페이지 접근성이 확인된 미술관과 기관 출처입니다. 위치 범위는 영국 / London이며 현대미술, 회화, 사진 분야를 다룹니다.