从艺术家、城市、媒介与机构进入中国视觉艺术。

Ai Weiwei 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Cai Guo-Qiang 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Cao Fei 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Xu Bing 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Bu Hua 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Chen Chieh-Jen 是 Art Global Discovery Index 收录的艺术家官网或档案来源，适合用于作品脉络、项目记录和研究入口。

Yang Fudong 是一个已完成首页可访问性验证的艺术家资料来源，位于 中国，覆盖 当代艺术。

Zheng Lu 是一个已完成首页可访问性验证的艺术家资料来源，位于 中国，覆盖 当代艺术。

Zhang Huan 的个人页面汇集作品、媒介与展览资料，并由辅助来源核对身份信息。

叶峰（英国皇家雕塑家学会页面作 Feng Ye）是常驻中国宁波的雕塑艺术家及英国皇家雕塑家学会会员。她以大型公共艺术为核心，探索雕塑、建筑、材料、场地与公众互动之间的关系。

Chen Ke was born in Sichuan in 1978 and lives and works in Beijing. Her paintings move between personal memory, historical fragments, dreams and invented scenes. Portraits and interiors often use intimate scale or emotionally charged color to explore time, identity and the experience of growing older. Because no independent studio site is used here, the entry relies on a gallery profile and an institutional exhibition source and labels them clearly as artist archives. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jia Aili was born in Dandong, China, in 1979. His painting combines abstraction, portraiture and fantastic imagery to consider technological, environmental and social transformation. Large canvases often place solitary figures, machines or damaged landscapes within spaces that feel both historical and speculative. The entry uses gallery and collection profiles as independent public sources, preserving access to biography and work context without presenting either page as the artist's own website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.