Цифровое искусство

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Tatsuo Miyajima is a Japanese artist known for installations built around digital LED counters. His practice is guided by the ideas Keep Changing, Connect with Everything and Continue Forever. Sea of Time - TOHOKU extends his use of counting light through a collaborative project shaped by communities in northeastern Japan. The official archive connects the artist's core concepts with individual works, public projects, texts and current activity. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ryoji Ikeda works with sound, data, light and mathematical structures. Long-running projects include test pattern, datamatics, supersymmetry and superposition. His output crosses audiovisual installation, performance, acoustic concerts, recordings and collaborations. The official site makes the relationships among individual works and larger research series legible for audiences approaching a technically complex practice. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Thomas Ruff is a German artist who treats photography as a field of images rather than a single documentary method. His series draw on portraiture, architecture, scientific imagery, archives and material found online. Changes of scale, resolution, source and processing test how photographic meaning is produced. The official archive helps readers compare distinct series and understand a practice built through systematic reinvention of photographic formats. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Erik Johansson constructs impossible situations from photographic material, aiming for scenes that remain visually convincing even when their logic breaks down. The Swedish photographer and visual artist, born in 1985, is based in Prague. His practice centers on personal projects and exhibitions rather than the unaltered capture of a passing moment. On the artist's website, finished images sit alongside accounts of the work process, giving viewers a route back from the illusion to its construction. That connection matters when studying composite photography: perspective, lighting and scale must cooperate even when the subject could not exist. Readers can begin with a finished scene, identify where its spatial assumptions become unstable, and then explore the process material to see how separate photographs were brought into one apparent world.

Pace Gallery — источник о галереях с проверенной главной страницей, расположенный в Глобально, с фокусом на Современное искусство, Живопись, Скульптура.

Lisson Gallery — источник о галереях с проверенной главной страницей, расположенный в Великобритания / London, с фокусом на Современное искусство, Скульптура, Живопись.

Artfinder — арт-маркетплейс с проверенной главной страницей, расположенный в Великобритания / London, с фокусом на Живопись, Фотография, Скульптура.

Google Arts & Culture — источник музеев и институций с проверенной главной страницей, расположенный в Глобально / Online, с фокусом на Музеи, Наследие, Цифровое искусство.

MoMA — источник музеев и институций с проверенной главной страницей, расположенный в США / New York, с фокусом на Живопись, Фотография, Дизайн-объекты.

M WOODS — источник музеев и институций с проверенной главной страницей, расположенный в Китай / Beijing, с фокусом на Современное искусство, Цифровое искусство, Выставки.