아트 스토어Avant Arte
Avant Arte은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 글로벌 / Online이며 에디션, 조각, 종이 작품 분야를 다룹니다.
중국와 관련된 아티스트, 갤러리, 전시, 미술관, 스토어, 공예와 리서치 소스를 탐색합니다.
아트 스토어Avant Arte은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 글로벌 / Online이며 에디션, 조각, 종이 작품 분야를 다룹니다.
Artsy Prints은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 글로벌이며 에디션, 현대미술 분야를 다룹니다.
Dover Street Market Art Space은 홈페이지 접근성이 확인된 아트 스토어 출처입니다. 위치 범위는 글로벌이며 에디션, 현대미술 분야를 다룹니다.
아티스트
아티스트Cai Guo-Qiang은 홈페이지 접근성이 확인된 아티스트 자료 출처입니다. 위치 범위는 중국이며 현대미술 분야를 다룹니다.
아티스트
아티스트Refik Anadol Studio은 홈페이지 접근성이 확인된 아티스트 자료 출처입니다. 위치 범위는 글로벌이며 현대미술 분야를 다룹니다.
아티스트
아티스트Chen Chieh-Jen은 홈페이지 접근성이 확인된 아티스트 자료 출처입니다. 위치 범위는 중국이며 현대미술 분야를 다룹니다.
아티스트Yang Fudong은 홈페이지 접근성이 확인된 아티스트 자료 출처입니다. 위치 범위는 중국이며 현대미술 분야를 다룹니다.
아티스트Zhang Huan's primary artist page documents works, projects and exhibition context across sculpture, painting.
Chen Ke was born in Sichuan in 1978 and lives and works in Beijing. Her paintings move between personal memory, historical fragments, dreams and invented scenes. Portraits and interiors often use intimate scale or emotionally charged color to explore time, identity and the experience of growing older. Because no independent studio site is used here, the entry relies on a gallery profile and an institutional exhibition source and labels them clearly as artist archives. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Jia Aili was born in Dandong, China, in 1979. His painting combines abstraction, portraiture and fantastic imagery to consider technological, environmental and social transformation. Large canvases often place solitary figures, machines or damaged landscapes within spaces that feel both historical and speculative. The entry uses gallery and collection profiles as independent public sources, preserving access to biography and work context without presenting either page as the artist's own website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Hao Liang was born in Chengdu and lives and works in Beijing. He makes ink-and-color paintings on silk while studying the formats and techniques of classical Chinese painting. Film, literature, philosophy and contemporary visual experience enter works that unfold through detailed surfaces, shifting viewpoints and narrative ambiguity. A gallery biography and museum collection record together provide a useful public foundation for researching the artist while keeping the source relationship explicit. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Xinyi Cheng was born in China in 1989 and works between Paris and Shanghai. Her paintings often begin with observed interactions, remembered encounters or images found in film. Figures occupy closely framed spaces where gesture, color and social distance create scenes that feel familiar yet psychologically unsettled. The profile is built from gallery and collection sources rather than a standalone artist website, giving readers a transparent route to works, biography and exhibition context. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Wang Tuo was born in Changchun in 1984 and lives and works in Beijing. His practice includes film, painting and drawing. Research into Chinese modern history, cultural archives, fiction and mythology is reorganized through scripts and moving images that test how historical narratives are constructed. Two gallery archives provide complementary public documentation; the page treats them as representation sources and does not describe either as an official artist website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Zhang Zipiao was born in Beijing in 1993. She studied at the Maryland Institute College of Art and graduated from the School of the Art Institute of Chicago in 2015. Her paintings enlarge bodies, organs, flowers and natural forms until their boundaries become unstable, linking physical sensation with questions of desire and body politics. The entry uses a gallery archive and a professional profile to establish biography and practice while clearly distinguishing those sources from a first-party studio site. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Cui Jie is a Chinese painter born in 1983. Her paintings construct layered cityscapes from modernist and contemporary architecture, infrastructure and imagined urban forms. Geometric surfaces and displaced viewpoints turn recognizable buildings into speculative environments shaped by planning, memory and accelerated development. Museum records from MoMA and Centre Pompidou provide independent public evidence and make this profile useful even without a standalone artist website. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Sun Xun was born in Fuxin, China, in 1980. He graduated from the Printmaking Department of the China Academy of Art in 2005 and founded pi Animation Studio in 2006. Animation, prints, drawings and manuscript-like images are assembled into shifting accounts of history, authority, memory and political myth. The entry combines two established gallery archives, giving readers access to biography, works and exhibitions while accurately labeling the nature of each source. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Ma Qiusha was born in Beijing in 1982. She studied digital media at the Central Academy of Fine Arts and completed an MFA at Alfred University in 2008. Her work spans video, photography, painting and installation, often connecting autobiography, intergenerational memory, domestic experience and the pressures of social change. Collection profiles from White Rabbit and KADIST supply independent public documentation without implying that either page is controlled by the artist. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Hu Xiaoyuan was born in Heilongjiang in 1977 and lives and works in Beijing. Her practice spans painting, sculpture, installation and video. Delicate materials, including silk and wood, are used to examine perception, bodily experience, time and the unstable boundary between natural matter and constructed form. The profile is supported by Centre Pompidou and Tai Kwun sources, creating a transparent public research path where no independent studio website is used. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.
Chen Tianzhuo builds performances and installations in which bodies, sound and sculptural environments become parts of a shared theatrical world. His archive connects projects including TRANCE, Ocean Cage and ISHVARA rather than presenting each as an isolated spectacle. Born in Beijing in 1985, he studied graphic design at Central Saint Martins before completing postgraduate fine art study at Chelsea. His biography identifies Beijing as his working base. TRANCE was presented at M Woods in 2019; later projects include Ocean Cage at Song Art Museum. Following those projects together offers a way to compare the scale of a live event with the objects and images that remain after it. For readers interested in performance across museum and club contexts, the project archive is more revealing than a single installation photograph.
Ren Han brings drawing, installation and site-specific work into a practice concerned with the circulation of images. Born in Tianjin in 1984 and based in Paris, he studied oil painting at Tianjin Academy of Fine Arts before graduating from Villa Arson in Nice. His biography describes an interest in mythology, nature and digital visual culture, with residencies in Paris, Lyon and Matsudo. The studio archive separates drawings from installations and architectural interventions, making changes in scale easy to follow. Drawing series such as Disaster and Snow Mountain can be read alongside spatial projects including Labyrinth of Water. That comparison gives substance to his investigation of construction and destruction: landscape is both an image to be consumed and a setting that can be materially altered.
Zhou Song examines the meeting of mechanical and organic forms through painting and sculpture. Born in China in 1982, he graduated from Tianjin Academy of Fine Arts in 2006. The studio organizes its work around New Nature, Entropy and Red Field, giving viewers several routes into the relationship between bodies, technology and imagined futures. His biography connects that inquiry with science and philosophy, while the work pages provide the material and visual detail needed to read the paintings themselves. Exhibition records include presentations at HOW Art Museum and Powerlong Museum in Shanghai, as well as venues in Germany. These are exhibition locations rather than evidence of a permanent studio address. Begin with the three series to compare how mechanical structures and biomorphic shapes shift across different compositions.
전시
전시
전시1-54 Contemporary African Art Fair은 홈페이지 접근성이 확인된 전시와 이벤트 출처입니다. 위치 범위는 글로벌이며 전시, 현대미술 분야를 다룹니다.
전시Taipei Biennial은 홈페이지 접근성이 확인된 전시와 이벤트 출처입니다. 위치 범위는 중국이며 전시, 현대미술 분야를 다룹니다.
갤러리GalleriesNow은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 글로벌이며 갤러리, 전시, 현대미술 분야를 다룹니다.
Pace Gallery은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 글로벌이며 현대미술, 회화, 조각 분야를 다룹니다.
David Zwirner은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 글로벌이며 현대미술, 회화, 조각 분야를 다룹니다.
Hauser & Wirth은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 글로벌이며 현대미술, 회화, 조각 분야를 다룹니다.
갤러리
갤러리Beijing Commune은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 중국이며 현대미술, 갤러리 분야를 다룹니다.
갤러리Kiang Malingue은 홈페이지 접근성이 확인된 갤러리 출처입니다. 위치 범위는 중국이며 현대미술, 갤러리 분야를 다룹니다.
갤러리Homo Faber Guide은 홈페이지 접근성이 확인된 유산과 공예 출처입니다. 위치 범위는 글로벌이며 공예, 컬렉터블 디자인, 문화유산 분야를 다룹니다.
문화유산UNESCO Intangible Cultural Heritage Lists은 홈페이지 접근성이 확인된 유산과 공예 출처입니다. 위치 범위는 글로벌이며 문화유산, 공예 분야를 다룹니다.
문화유산Jingdezhen Ceramics Resource은 홈페이지 접근성이 확인된 유산과 공예 출처입니다. 위치 범위는 중국 / Jingdezhen이며 도자, 공예, 문화유산 분야를 다룹니다.
World Crafts Council은 홈페이지 접근성이 확인된 유산과 공예 출처입니다. 위치 범위는 글로벌이며 공예, 문화유산 분야를 다룹니다.
문화유산Turquoise Mountain은 홈페이지 접근성이 확인된 유산과 공예 출처입니다. 위치 범위는 글로벌이며 공예, 문화유산 분야를 다룹니다.