インスタレーション

Kara Walker は Art Global Discovery Index が収録するアーティスト公式サイトまたはアーカイブ系ソースで、作品の文脈、プロジェクト記録、調査の入口として参照できます。

Tuan Andrew Nguyen はホームページ到達確認済みのアーティスト情報源です。所在地は Vietnam で、現代アート を扱います。

Yang Fudong はホームページ到達確認済みのアーティスト情報源です。所在地は 中国 で、現代アート を扱います。

Shantell Martin の公式サイトでは、作品、プロジェクト、展覧会、アーティスト情報を確認できます。

Sarah Sze の公式サイトでは、作品、プロジェクト、展覧会、アーティスト情報を確認できます。

Chiharu Shiota の公式サイトでは、作品、プロジェクト、展覧会、アーティスト情報を確認できます。

Firelei Báez の公式サイトでは、作品、プロジェクト、展覧会、アーティスト情報を確認できます。

Anish Kapoor official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Alicja Kwade official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Janet Echelman official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Tomás Saraceno official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Kimsooja official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Katharina Grosse official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Jeppe Hein official site documents sculpture, installation, public art or site-specific projects and exhibitions.

Zarina Bhimji's primary artist page documents works, projects and exhibition context across video art, installation.

Susan Hefuna's primary artist page documents works, projects and exhibition context across sculpture, installation, video art.

Michèle Magema's primary artist page documents works, projects and exhibition context across installation, video art.

Roberta Lima's primary artist page documents works, projects and exhibition context across installation, video art.

Minouk Lim's primary artist page documents works, projects and exhibition context across installation, video art, contemporary art.

Monira Al Qadiri's primary artist page documents works, projects and exhibition context across video art, installation.

Wafaa Bilal's primary artist page documents works, projects and exhibition context across video art, installation.

Daniel Landau's primary artist page documents works, projects and exhibition context across installation, video art.

Douglas Gordon's primary artist page documents works, projects and exhibition context across sculpture, video art, installation.

Martha Rosler's primary artist page documents works, projects and exhibition context across video art, installation, contemporary art.

Joe Coleman's primary artist page documents works, projects and exhibition context across installation, video art, painting.

Renzo Martens's primary artist page documents works, projects and exhibition context across video art, installation, contemporary art.

David Claerbout's primary artist page documents works, projects and exhibition context across video art, installation.

Levi van Veluw's primary artist page documents works, projects and exhibition context across video art, installation.

Ingrid Mwangi's primary artist page documents works, projects and exhibition context across video art, installation.

Mariele Neudecker's primary artist page documents works, projects and exhibition context across sculpture, video art, installation.

Erik van Lieshout's primary artist page documents works, projects and exhibition context across video art, installation.

Jeannette Ehlers's primary artist page documents works, projects and exhibition context across video art, installation.

Ye Feng (also listed as Feng Ye) is a Ningbo-based Chinese sculptor and MRSS member whose monumental practice connects sculpture, architecture and the public realm through civic, cultural and urban projects.

Lee Bul is a Korean artist whose practice spans sculpture and immersive installation. Her work has repeatedly examined the body, technology, utopian architecture and failed modernist ideals. The artist archive brings together exhibitions, projects and sculptural series across several decades. The source gives researchers a coherent route through a practice that moves between intimate bodily forms and large architectural environments. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Tatsuo Miyajima is a Japanese artist known for installations built around digital LED counters. His practice is guided by the ideas Keep Changing, Connect with Everything and Continue Forever. Sea of Time - TOHOKU extends his use of counting light through a collaborative project shaped by communities in northeastern Japan. The official archive connects the artist's core concepts with individual works, public projects, texts and current activity. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ryoji Ikeda works with sound, data, light and mathematical structures. Long-running projects include test pattern, datamatics, supersymmetry and superposition. His output crosses audiovisual installation, performance, acoustic concerts, recordings and collaborations. The official site makes the relationships among individual works and larger research series legible for audiences approaching a technically complex practice. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hiroshi Sugimoto is a Japanese artist whose practice is anchored in photography while extending into architecture and site-specific work. Major photographic bodies include Seascapes, Theaters and Architecture. His archive also documents video, designed environments, publications and biographical material. The official source is valuable because it presents serial projects as sustained investigations of time, perception, memory and the history of image making. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Wolfgang Tillmans is a German artist whose photography ranges from intimate observation to abstraction and social documentation. Installation is integral to the work, with photographs arranged in changing relationships across gallery walls. His practice also includes books, music, talks, writing and public campaigns. The site offers an installation archive and publication record that show how individual photographs operate within broader spatial, editorial and civic contexts. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Marina Abramovic is a Serbian-born performance artist whose work has tested endurance, attention and the relationship between performer and audience. Her practice includes durational actions, video, installation and participatory exercises. The Marina Abramovic Institute develops methods and programs concerned with long-duration and immaterial art. This institutional source is useful for connecting the artist's historical performance practice with its documentation, transmission and continuing educational framework. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Wendy Red Star is an Apsaalooke artist born in Billings, Montana, who lives and works in Portland, Oregon. Her multidisciplinary practice draws on family knowledge, archival research and the histories of the Apsaalooke Nation. Photography, material experimentation and carefully assembled historical records are used to restore specificity to people and stories flattened by colonial archives. The artist's site combines biography, projects, publications and research context, making it a strong first-party source for understanding both method and lineage. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hito Steyerl is a filmmaker, artist and writer based in Berlin. Her work addresses media, technology and the global circulation of images through video installations, digital environments and essays. Projects such as How Not to Be Seen, Factory of the Sun and The Island sit alongside lectures and books including The Wretched of the Screen and Duty Free Art. The official site is a substantial research hub connecting artworks, exhibitions, talks and writing across an influential critical practice. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Carrie Mae Weems is an American artist whose practice spans photography, text, video, installation and performance. The Kitchen Table Series is among her best-known bodies of work. Across projects she examines family, power, race, gender, cultural memory and the ways institutions shape whose histories become visible. The artist's site gathers projects, exhibitions and writing in a form that supports reading complete series rather than detached iconic images. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Ma Qiusha was born in Beijing in 1982. She studied digital media at the Central Academy of Fine Arts and completed an MFA at Alfred University in 2008. Her work spans video, photography, painting and installation, often connecting autobiography, intergenerational memory, domestic experience and the pressures of social change. Collection profiles from White Rabbit and KADIST supply independent public documentation without implying that either page is controlled by the artist. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Hu Xiaoyuan was born in Heilongjiang in 1977 and lives and works in Beijing. Her practice spans painting, sculpture, installation and video. Delicate materials, including silk and wood, are used to examine perception, bodily experience, time and the unstable boundary between natural matter and constructed form. The profile is supported by Centre Pompidou and Tai Kwun sources, creating a transparent public research path where no independent studio website is used. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Chen Tianzhuo builds performances and installations in which bodies, sound and sculptural environments become parts of a shared theatrical world. His archive connects projects including TRANCE, Ocean Cage and ISHVARA rather than presenting each as an isolated spectacle. Born in Beijing in 1985, he studied graphic design at Central Saint Martins before completing postgraduate fine art study at Chelsea. His biography identifies Beijing as his working base. TRANCE was presented at M Woods in 2019; later projects include Ocean Cage at Song Art Museum. Following those projects together offers a way to compare the scale of a live event with the objects and images that remain after it. For readers interested in performance across museum and club contexts, the project archive is more revealing than a single installation photograph.

Ren Han brings drawing, installation and site-specific work into a practice concerned with the circulation of images. Born in Tianjin in 1984 and based in Paris, he studied oil painting at Tianjin Academy of Fine Arts before graduating from Villa Arson in Nice. His biography describes an interest in mythology, nature and digital visual culture, with residencies in Paris, Lyon and Matsudo. The studio archive separates drawings from installations and architectural interventions, making changes in scale easy to follow. Drawing series such as Disaster and Snow Mountain can be read alongside spatial projects including Labyrinth of Water. That comparison gives substance to his investigation of construction and destruction: landscape is both an image to be consumed and a setting that can be materially altered.

Yuuki Kobayashi, whose name appears as 小林勇輝 on his studio website, joins poetry, calligraphy and three-dimensional form in a practice he calls Zou Shisho. Born in Saga Prefecture in 1980, he began studying calligraphy as a child. His account traces a turning point to a poem whose inked form suggested wings, leading him to explore writing as shape as well as language. More recent installations reconstruct discarded paper and extend the brush-based practice into surrounding space. The exhibition record includes Crystal Verse presentations and a 2025 project in Seto. These records belong to the calligrapher and poet identified by this website; they should not be conflated with another artist using the same romanized name. Start with the relationship between his own poems and their physical arrangement.

Hebru Brantley develops narrative worlds through painting, sculpture and immersive environments. Flyboy, a recurring figure inspired by the Tuskegee Airmen, belongs to his broader interest in reimagining the heroes of American popular culture as people of color. The Negro Mythos series gives that project an explicit narrative frame. His work also extends beyond the canvas: a 2019 installation in Chicago's Pilsen neighborhood brought Flyboy and Lil Mama into an environment visitors could enter. The artist's biography identifies Los Angeles as his current base and describes the expansion of these stories through Angry Hero. For viewers, following the same character across a painting, a sculpture and an installation offers a way to understand how an image becomes a sustained fictional world rather than a single emblem.