行为艺术

Cecilia Vicuña 的官方網站彙集作品、項目、展覽與藝術家資料。

Chiharu Shiota 的官方網站彙集作品、項目、展覽與藝術家資料。

Marina Abramovic is a Serbian-born performance artist whose work has tested endurance, attention and the relationship between performer and audience. Her practice includes durational actions, video, installation and participatory exercises. The Marina Abramovic Institute develops methods and programs concerned with long-duration and immaterial art. This institutional source is useful for connecting the artist's historical performance practice with its documentation, transmission and continuing educational framework. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Jeffrey Gibson is a multidisciplinary artist of Mississippi Choctaw and Cherokee heritage. His work combines painting, sculpture, textiles, performance and references to Indigenous material and visual cultures. Color, pattern, text and found objects connect personal experience with histories of abstraction and representation. The official portfolio offers direct context for a practice that moves across gallery objects, performance and large public or institutional presentations. This profile prioritizes verifiable project context and direct source links so readers can continue into the artist's work, exhibitions and published record. It is an editorial introduction, not a ranking or a substitute for the cited source material.

Chen Tianzhuo builds performances and installations in which bodies, sound and sculptural environments become parts of a shared theatrical world. His archive connects projects including TRANCE, Ocean Cage and ISHVARA rather than presenting each as an isolated spectacle. Born in Beijing in 1985, he studied graphic design at Central Saint Martins before completing postgraduate fine art study at Chelsea. His biography identifies Beijing as his working base. TRANCE was presented at M Woods in 2019; later projects include Ocean Cage at Song Art Museum. Following those projects together offers a way to compare the scale of a live event with the objects and images that remain after it. For readers interested in performance across museum and club contexts, the project archive is more revealing than a single installation photograph.

Sachiyo Kaneko develops contemporary art from Japanese calligraphy, extending brushwork into live performance and collaboration. She began studying calligraphy at seven and graduated from Tsuda University. Her published chronology connects solo exhibitions in Japan, Mexico and Spain with performances involving music and dance. Among those records are a contemporary SHO performance at MUAC in Mexico City in 2018 and SHO making sound in Brighton in 2024. The multilingual website includes explanations of SHO, videos and a publication record, making it possible to follow both the marks on a surface and the action that produces them. For readers approaching calligraphy through contemporary art, this is a useful distinction: the finished work and the public act of writing offer different ways to understand rhythm, scale and gesture.